Mid-Wife Night Mutation
image curtesy of the MET Museum
By Larissa Larson
He told me to close up
the windows, so I do. Not
wanting it to be this simple
always: preparation of night.
You must understand having
the window open
especially in summer, soaked
in a stale smell of wheat
sweat, grass blades moon
dewed, deep throats
pulsate amphibiotic
ambience, sweet insect shells
shutter sleek symphonies –
this vital vibration
of life, of musty
leaves laugh like it came
from my lungs, rabbit
feet bring rain, so skin
sink further into
these linen sheets. Now
I’ve lost myself
in these silly thoughts
of old wives’ tales
that say: on this day,
at this mid-night,
in this moon phase,
this – yes – this
will happen.
What would happen if I left
the window open
all night? I don’t think
about someone coming
in as much as me
getting out, furious
beat between
breasts: I am a thing to be
contained. I know I am
more, brute
maybe, but
scheme to leave
window open, width
of my fine
silver hair. Smell-
seep soft earth
until arousal
where my body,
morning curves,
like a great garter
snake, nobody
sees, sheds in
thigh high
daffodils.
Larissa Larson (she/they) is a queer poet who lives in Minneapolis, works at a used bookstore, explores the many lakes with their partner, and watches scary movies with their cats: Athena and Midas. Their poems have appeared in Welter Online, Sheila-Na-Gig, The Briar Cliff Review, Cool Beans Lit, Anodyne Magazine, Discretionary Love, The Best of Kelp Journal, Great Lakes Review, and forthcoming in Bleating Thing Magazine.