Art and Photography
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Milen Neykov
Neykov’s photography captures vast scenes where the archetypes are at large.
Margarita Serafimova
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“Kind of a Short-length Letter for a Full-length Film” by Luis Miguel Rivas (translated from the Colombian Spanish by Valentina Calvache) Artwork by Daniela Moreno Ramirez
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This story is from Rivas’ debut in the Latin American fiction industry: an anthology of short stories written from one of Colombia’s literary outcasts — he didn’t gain recognition until the Guadalajara Book Fair named him one of Latin America best-kept secrets, and his works went through the roof, with translations in French and the signing of his latest novel with Sony Pictures.
“Kind of a Short-length Letter for a Full-length Film” is a magnificent story that encloses and discloses — at the same time — Colombian reality seen through the eyes of a sharp writer,
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“Elisa” excerpt from the novel The One We Adored by Catherine Cusset (translated from the French by Armine Kotin Mortimer) Artwork by Ilan Averbuch
“Elisa”
excerpt from the novel
The One We Adored
by Catherine CussetIn this novel, Catherine speaks in the first person and addresses Thomas in the second, as if telling him the story of his life.
At the dinner I arrange for my husband’s birthday at the end of February, you meet Elisa. You are astonished to discover that this name, with its exotic sonorities, is simply spelled “Elisa,” not, as if it were French, “I-Laïza.” Even more surprised to see that this exotic Elisa I’ve been telling you so much about is so beautiful.
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Five Poems and Photography by Leslie King
We. The(m) People.
They killin us. Dead.
My Mama is dead.
Killed her, too.
Them CIA drugs.
Them “projects.”
Them homeless shelters.
I am an experiment.
Black life in America is a science project.
Like welfare.
No acres. No mule.
No real liberty.
But plenty-o-methadone
laced with signatures
on bills that act.
Soothe them with
pseudo freedom.
Kill ‘em with
Black claustrophobia.
Black desperation.
Black plagues.
Black plaques
for Corrupt Cop of Year!
Slaughter the best of ’em. -
Black Is Over (Or, Special Black) by Tressie McMillan Cottom with Artwork by Merav Kamel
Above: from the Sketchbook of Merav Kamel
I’m looking for a mixed girl Asian, Jamaican
I’m looking for a mixed girl Puerto Rican, Haitian
I’m looking for a mixed girl
Cuban and White
I’m trying to get mixed up tonight like
Excuse me miss, what’s your name, where ya
from, can I come—T-Pain, “Mix’d Girl”
“Black people are over.” That is how it was said to me once.
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“26 Letters Refuse to Whisper” by Lynne Jensen Lampe with Artwork by Carrie Wilmarth
Above: “UNTITLED,” 2020. Oil on Wood Panel, 9 x 12″
As for saying goodbye, we don’t know how.
Shoulder to shoulder we keep on walking.—Anna Akhmatova
_As for saying goodbye, I know howbut don’t want to surrender to thesechanged lives & cautious moments. COVID-19,death-o-matic, that’s what I call you. A period jabbed into the heart of a sentence.Each day I look out my window &