Issue 35

  • Fiction,  Issue 35

    Consumption

    photo by Joshua Coleman on Unsplash

    by Philip Anderson 

    1.

    She was determined not to feel one way or another about Dan or his birthday, so Rebecca flirted with a gay guy at the international art book fair in Berlin. She was there as the representative of Moorland Books, a small press based out of Oakland that she and a friend had founded years earlier at San Francisco Art Institute. 

    “What did you do at SFAI?” he asked. “What’s your medium?” His name was Bunny. He was a photographer, had gone to RISD,

  • Hybrid,  Issue 35

    World Made Flesh, and Some Nights, It Gets So Dark

    by Brent Canle

    art: "Solaris" by Juan José Clemente 

    World Made Flesh

    We woke this morning to find that the world was made of flesh. Skin covered everything. Freckles stained the sidewalk. Cars weave between pores in the road. The skyscraper’s windows were the milky membrane of blind eyes. 

    In the buildings, at work, we entered veins and all day rushed around into different orifices having meetings, completing tasks, meeting deadlines. The streets below us pulsed as buses exhaled into the coming night air.

  • Issue 35,  Poetry

    Museum of Falls 

    By Helen Laser

    art by Helen Laser 

    Whoever thought to call autumn “crisp” deserves the Nobel Prize.
    Imagine winning an award for a single word.
    Imagine committing such an act of occult evocation that your body flies to Sweden
    where there are umbels of apples
    shrouded in blonde maple leaves
    sequestered by hollow gourds:
    their seeds rattling inside like a birthday party for a balloon child.

  • Fiction,  Issue 35

    Personal History of the Cherry Bomb

    by Bart Plantenga

    photo: collection of the author

    You and I cannot believe our eyes anymore. Observe: A man on a glimmering stretch of walk in a tight, shiny suit, the kind start-up guys wear, was jimmying the lock on my bike with what could have been a hunting knife.

    “HEY!” Startled, he pivoted and dashed off. I gave chase because I’d been reassured by characters seen in crime dramas that chase scenes usually end with their man in cuffs.

    He was young, so it surprised me to be gaining on him so quickly.

  • Issue 35,  Poetry

    utopia

    by mic jones

    art by by Rachel Rava

    a pronoun can be an emergency
    exit a map an experiment
    in emancipation like fire
    embalming coordinates

    let’s make new names what would the world feel
    like if gender was understood
    the way we understand
    a name:
    singular
    subject to change
    sounding different
    depending on
    through whom
    the sound is made

    amid mountain ranges
    screamed like names
    our genders’ echo
    sublime as the valley
    amplifying bodiless-ness
    &

  • Interviews,  Issue 35

    “All The Fighting Parts” an interview with Hannah V. Sawyerr (poetry ’22) and an excerpt from her debut YA novel

    Interview by Jonathan Kesh

    All The Fighting Parts, the debut novel in verse from Hannah V. Sawyerr, is a challenging, poetic tale about overcoming trauma and learning to fight back.

    The story follows high-schooler Amina Conteh as she struggles to navigate a tightly-knit community centered entirely around the charismatic Pastor Johnson, who runs the Holy Tabernacle church. When the pastor attacks Amina one night at the church, she finds herself isolated, no longer sure of how to use her voice and unable to connect with her loved ones within Pastor Johnson’s orbit.