Issue 36

  • Hybrid,  Issue 36

    Bird Medicine

    art: "Spirits Can Feel You" by Katie Frank

    by Irina Varina

    When you are feeling joy, don’t forget to breathe.
    I breathe and I circulate. It flows through my entire body. Full body orgasm.
    “At any point I can choose to be a part of any story,” I write.

    Oh. A friend had just brought me a refreshing drink. And I chose to switch from the story of me thinking him thinking:“Why doesn’t she stop writing, she is so not interesting and boring compared to other friends on this medicine journey.” to: “She is so beautiful in doing what she has chosen to do.

  • Hybrid,  Issue 36

    Sunlight, and The Object in View

    photo by Tony Wallin-Sato
    by Cole Swensen

    Sunlight

    is audible when it strikes on a slant, its chant determined by a number of factors, for instance, its rhythm is determined by the time of day, its pitch, by the time of year, and as for tone, it’s the weather—say a cloud bank breaks up too quickly, and there’s the sun, suddenly undone by its own light.

    Or sunlight is substance poured out on, is a saint strolling unbound; the sun dissolves everything it rolls across, though it sometimes takes millennia—mountains,

  • Hybrid,  Issue 36

    The Last Time I Saw Your Father

    by Hannah Dow

    He was workshopping a bit about the ellipsis that materializes when someone is drafting you an iMessage. The joke had something to do with knowing someone is thinking about you on the other end, and the anxiety of wondering what they’ll say, if anything at all. I don’t know if he ever finished the joke, but that night he kept laughing and repeating three dots! in his goofy, deadpan voice, and that alone was enough to make us laugh too.

    The first time I saw your father, we played “Jeopardy!” It’s not what you think,

  • Hybrid,  Issue 36

    Container, and Nighttime

    art by Stefanie Becker
    

    by Georgia San-Li


    Container
     

                Peckish she pecks to find Beauty

                            her Romanesque nose

                            her Helen

                Infusing Her with her soul

                            her clay long-fingered hands, her hips in

                such grinding agony, endured

                to form and wrench his children,

                with her power of catastrophe over

                            that object

                            that creature

                            that enemy

                            that human life

    containing the workings of

    her organs

    her plasma

    her monster

    the umbilical cord of

                her two daughters,

  • Hybrid,  Issue 36

    Meds Yeghern

    photo collection of the author

    by Alexa Luborsky

     

     

    History is repeating himself again. Perhaps you didn’t hear him the first time.

     

    He tries to begin anew but is parched—

     

    as in prepared to be written on.

     

    You give him ink, an equation to keep him sated like a translation.

     

    There is no translation for Meds Yeghern into English.

  • Interviews,  Issue 36

    The Storm We Made: An interview with Vanessa Chan (MFA ’21) and an excerpt from her debut novel

    interview by LIT Book Editor Jonathan Kesh

    Vanessa Chan’s debut novel The Storm We Made is an intense work of historical fiction built on personal family histories, with a few aspects of spy drama thrown in. 

    Set during the brutal Japanese occupation of Malaya during World War II, the story follows the Alcantara family as they struggle to stay together under this new regime. We quickly learn the family’s matriarch, Cecily, had collaborated in secret with Japanese forces, driven by a desire to see her country freed from British rule alongside a growing fascination with an enigmatic spy named Fujiwara.