Online Issues

  • Hybrid,  Issue 36

    Benign Madness

    by Joyce Lee

    You know the insanity has always been there, hidden within the stories, secreted from the norm.

    It’s there when, as a child, you sit by the lake with your younger cousins, weaving stories of sun fairies and shadow gnomes that dance on the wind-kissed water. They giggle and ask for more, and it’s just a story to them, but you see defined essences latent in the alternating sparkles and shadows, skimming the skin of your reality even as they skitter across the surface of the water, a refined actuality that soothes and satisfies,

  • Fiction,  Issue 36

    Watch and Wait

    image curtesy of Public Domain Review

    by Lucy McBee

    My name is Elizabeth Holmes.

    But I’m not the one you’re thinking of.

    I’m not a Stanford dropout.

    I’ve never been on the cover of Fortune.

    A former Secretary of State has never sided with me over his own grandson.

    I can’t speak Mandarin.

    I’ve only worn blood red lipstick once, to a Halloween party. I went as Elvira (and was mistaken for Morticia Addams, I suppose because I lacked the requisite cleavage),

  • Online Issues

    LIT 36, Spring 2024

    Featuring an interview with Lucy Sante on her new memoir I Heard Her Call My Name, an interview with Claire Donato and fiction from her recently published collection Kind Mirrors Ugly Ghosts!, and an interview with MFA ’21 Vanessa Chan on her debut novel The Storm We Made; nonfiction from Zia Jaffrey, Tony Wallin-Sato, and Katiy Heath, hybrid nonfiction poetry from Alexa Luborsky, and Georgia San-Li, poetry from Nathan Erwin, and Jae Eason, and art by MFA ’24 Aditi Bhattacharjee.

  • Hybrid,  Issue 36

    Curses for Crooked Teeth

    by Laurie Blauner

    photo by Tony Wallin-Sato

    As a teenager I was exuberantly ashamed of my crooked teeth, although they weren’t my only problem. If I did smile, I covered my teeth with my palm. So my usual facial expression was comprised of rococo motifs that formed an impression of seriousness and concentration. This was fixed with braces and a horrible contraption called an “orthodontic headgear” that consisted of metal rods, one that circled the outside of my mouth and one inside that was connected to my braces, plus a strap around the back of my neck that forcibly moved my teeth with its cinching.

  • Hybrid,  Issue 36

    Cabinet of Curiosities

    by Meredith Jelbart

    This cabinet, which I gift to you, my child, has ten rows of ten small drawers. Standing flat against the wall, it takes up little space. It is beautifully crafted; dark wood of the drawer front meets the lighter interior wood in dove-tailed joinery, a dark tail interlocked with a lighter one, a darker, then a lighter and so on.

    It has come down in our family, from a great-uncle’s garage, to my study. To wherever you may choose to keep it.

    You could say it’s an heirloom.

  • Hybrid,  Issue 36

    Heat That Smells Like Drowning, How a ’75 Dodge Bled Auroras on the Asphalt, Three Dedications

    by B. Luke Wilson

    mezzotint by M. Rapine, curtesy of The Public Domain Review

    Heat That Smells Like Drowning 

    I drew a perfect tesseract on my son’s old Etch-A-Sketch seconds before the bomb fell. Nobody ever saw it, or how beautiful the shape was. The tremors began light as the air under the muscles of a dancer—and grew until their shaking dissolved my perfect symmetry into the toy’s memoryless sands. Everything flashed to red, and the heat smelled like drowning.

    My wife Sarah was a master locksmith.