Online Issues

  • Issue 35,  Poetry

    Aftermath, The Griffith Park Fire

    By Anders Howerton

    photo by Colin Remas Brown on flickr

    “Vulnerability. The ideal state of a painter. You have to cultivate it.”
    – Francesco Clemente

    The light has shifted since. It isn’t rushing through the glass
    the way it did the day you swirled the cayenne like tiny flames
    in the lemon-filled honey jar. It circumvents me now
    with its set of parallelograms,

    kicks pebbles down my avalanche back.
    You are no longer you but a ferryman instead, taking your time
    to deliver me at the edge of the blazed bird sanctuary,

  • Issue 35,  Poetry

    Shroom Apocalypse

    By Richard Schiffman

    photo by Mariam Gab

    After the deluge, they’re popping up fast,
    a pimpled pox of pallid shrooms,

    puny members swell tumescent
    cracking earth-egg’s humus shells,

    donning post-apocalyptic bonnets,
    daisy chains of moonlit domes,

    gilled as sharks and cute as buttons,
    hoisting clods of moldy duff,

    fungal, Mongol-horded armies,
    mountain-moving mycelia,

    creeping up on sleeping cities,
    hoodied toughs on every corner,

    meek and dapper Mussolinis,
    squat Il Duce’s of decay

    casting nets in fetid mulch,

  • Issue 35,  Poetry

    the cinematography of birth

    By Savannah Slone

    photo by Ivan Babydov on Pexels

     


    we were all born during the slow 

    
fast shift of all things, oil on 


    canvas     no time stamp,


    among stained glass and wildlife and 


    a sea of velvet earlobes and disco glitter


    pageantry     while language swelled 

    
into watercolor during telomere 


    replication and 


    extreme weather turned our


    nothings into artifacts of survival or 


    remembrance and colors disappeared 


    underwater,

  • Issue 35,  Poetry

    Abecedarian

    By Christina M Scott

    photo by Engin Akyur on Pexels

    At night, she feels for the invisible restraints clutching her throat.
    Bound by circumstance, she’s unable to freely breathe.
    Coveting the blade in her hands,
    Death is her fateful companion.
    Everyone dies alone.
    Forgotten memories of better moments dance at the edge of her mind.
    Guilt has set up home here in her thoughts,
    Has taken up so so  much space, with no intent to leave.
    Inescapable shock paralyzes and pervades her fleshy shell to
    Just below her rib-cage,

  • Hybrid,  Issue 35

    The Moment You Cease Motion, and Into the Feathery Lightness

    by Michele Rappoport

    art: "El mundo de Anita” by Juan José Clemente 

    The Moment You Cease Motion

    A person lives within an inch of evaporation.  Every night you die, skin and nails soft.  The heart, that feverish bayonet, pierces the practical bearing of clearness.  Ice envelopes the wound. Blood loiters, wet and exposed.  A vein pulses like a charm more perfect than dust in winter. And in the skin, the perfect quietude of a body close to completeness.
    _______
    
    I wrote this piece with words found in The Military Handbook &
  • Issue 35,  Poetry

    Sestina for Disinheritance

    By LP Patterson

    photo by Alev Takil on Pexels

    The world has moved on from its earring,  

    from its bells, far away silver and gold   

    that impose, intractably, this burn  

    in sunlight, the hissing sound and mettle.

    The world has moved on as a traveler   

    that reaches the deepest recesses of its mark.  


    Disinherit the world, disinherit the mark

    of your crystal knife fashioned in an earring.