Online Issues

  • Fiction,  Issue 35

    Petty Criminals

    by Drew Anderla

    photo by Arry Yan on Unsplash 

    There was a shitty bar I used to go in the East Village to that was demarcated only by a red neon rooster in the front window. Before 11, there would be disco music playing and red lights illuminating the space, but rather than dancing, or drinking, or even making eye contact, men would just pool around the perimeter of the room obsessively checking their cell phones. It was decidedly less like a bar at this early hour than it was like the DMV, with everyone anxiously waiting for their number to be called.

  • Hybrid,  Issue 35

    The Backbone of the World

    By Cecily Winter

    art "El Salto de Rolando" by Juan José Clemente 

    IN THE BEGINNING loomed the gray above our heads sometimes obscured by mists of rain and snow, while across the ice steppe lapped cold saltwater from which we speared fish small and large

    FOR SURVIVAL we wore leathern skins and fish scales strung with sinew even in our snowdomes where we huddled close and moaned the wind music of this land

    WHEN WITHERING DEATH ASSAILED US we sharpened long bones to capture an ice floe and launched it bearing the corpse,

  • Issue 35,  Poetry

    Playing Baseball with a Pocket Knife

    By Christopher Citro

    photo by Allen on Pexels
    Raised by retired parents I have that, why bother
    I'll sit picnic tabled and watch the clouds go by.
    The battle, that position worked out, I see through it all.
    I tear packets, toss the seeds across the open ground.
    The sky can do the rest. This boy burying plastic
    Chewbaccas between beechnut roots, my boy.
    Sit beside me, not too close. Here's how you open
    the knife, straighten the short blade, pull the other
    to an angle, balance it between your legs and
    with a forefinger's soft tip,
  • Fiction,  Issue 35

    Consumption

    photo by Joshua Coleman on Unsplash

    by Philip Anderson 

    1.

    She was determined not to feel one way or another about Dan or his birthday, so Rebecca flirted with a gay guy at the international art book fair in Berlin. She was there as the representative of Moorland Books, a small press based out of Oakland that she and a friend had founded years earlier at San Francisco Art Institute. 

    “What did you do at SFAI?” he asked. “What’s your medium?” His name was Bunny. He was a photographer, had gone to RISD,

  • Hybrid,  Issue 35

    World Made Flesh, and Some Nights, It Gets So Dark

    by Brent Canle

    art: "Solaris" by Juan José Clemente 

    World Made Flesh

    We woke this morning to find that the world was made of flesh. Skin covered everything. Freckles stained the sidewalk. Cars weave between pores in the road. The skyscraper’s windows were the milky membrane of blind eyes. 

    In the buildings, at work, we entered veins and all day rushed around into different orifices having meetings, completing tasks, meeting deadlines. The streets below us pulsed as buses exhaled into the coming night air.

  • Issue 35,  Poetry

    Museum of Falls 

    By Helen Laser

    art by Helen Laser 

    Whoever thought to call autumn “crisp” deserves the Nobel Prize.
    Imagine winning an award for a single word.
    Imagine committing such an act of occult evocation that your body flies to Sweden
    where there are umbels of apples
    shrouded in blonde maple leaves
    sequestered by hollow gourds:
    their seeds rattling inside like a birthday party for a balloon child.