Online Issues
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LIT 35, Fall 2023
Featuring an interview with Hannah V. Sawyerr (’22), nonfiction by Clare Cannon (’22), fiction by Drew Anderla (’15), hybrid by Elinora Westfall, poetry by Philip Jason, and art by Juan José Clemente.
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Origin Story by Kayla Beth Moore
Let the waters swarm, She said. And She set the birds to flight and the sea monsters She
delivered to the deep. Both waters swarmed and She saw that it was good. Let the earth creep,
She said. Cattle and all crawling things took to the land and the wild animals and the trees and
the fruits of the trees and the seeds of the fruits of the trees filled the earth, and She saw that it
was good. Let something very different happen,
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LIT 34, Summer 2023
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Primavera by Kayla Beth Moore
First there was the void—
known elsewhere as Chaos,
which Ovid called a shapeless heap,
which others know as darkness,
which still lurks in the creases of things.
This was the first of all is.
This shapeless abysm of is
has at certain times in history
found people to bother—
one was Botticelli.
One day the void stared at Botticelli
such that Botticelli felt the bluntness
of its stare like an invisible finger
pressed against his forehead.
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Today the Gulf of Mexico Is on Fire by Patrick Kindig
The ocean opens
its red eye & blinks:
another witness
in the age
of witness, another
natural thing made
man. Which is to say: silent
& intent
on watching itself
die. Some things
can be helped. Some
can’t. For example:
when sand
scratches your cornea,
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Helen, On Childhood by Elaine Johanson
Wild grapes grew in a torrent
above the hill, the vines
billowing over a wall so old
my sisters and I could roll
the stones out with our fingers.
Grapes overfilled our skirts,
our hands. We peeled
them with our teeth, held
the naked globes to our eyes
to track the climbing sun.
We packed our mouths
to feel their skins pop
in a chorus of honey.