Online Issues

  • Fiction,  Interviews,  Issue 39

    Definitely Better Now: An interview with Ava Robinson (MFA ’22) on her debut novel

    Interview by LIT Books Editor Jonathan Kesh

    Ava Robinson’s Definitely Better Now is a romantic comedy, or at least it is in part. How else you might classify it is trickier, which is part of its appeal.

    The book begins with Emma, the narrator, uneasily but earnestly celebrating a full year of sobriety after a difficult break from alcoholism, which runs in her family and was never quite shaken by her father. Per the rules of her New York Alcoholics Anonymous chapter, she’s held off dating to focus on keeping her own head above water,

  • Fiction,  Issue 39

    Jakob as Worm

    "Still City Full Moon" painting by Nuala McEvoy

    by David Leo Rice

    This story marks the beginning of The New House 2: The Chapel of Humiliation, sequel to the 2022 novel The New House, about a family of outsider artists roaming the American interior in search of The New Jerusalem, which they believe will only be revealed in dreams. At the end of that novel, an adolescent boy, Jakob, watched his father sacrifice his mother in his stead, and vanish into the woods, leaving him alone with her headless body.

  • Hybrid,  Issue 39

    Life Without The Brady Bunch

    by Francis Fernandes

    
    

    Francis Fernandes grew up and studied in Montréal, Canada. Since spring 2020, his writing has been featured in numerous literary journals, including Jerry Jazz Musician, Saint Katherine Review, The Orchards Poetry Journal, Third Wednesday, The Brussels Review. He lives in Frankfurt,
  • Issue 39,  Poetry

    Hallucinyx

    "As All Can Be" art by Edward Lee

    by Dana Curtis

    “The literary equivalent of a hallucinogen; or:qualities of a hallucinogen reduced to literary essence”
    -Steve Erickson, American Stutter

    I look for the opium den or
    the library because I need
    the sweet addled sleep of
    the damned, the endlessly
    levitated and furious, fearless
    on the collapsed couch, words
    leaking out the corners
    of my mouth. It’s the only way
    to look at a sunset,

  • Issue 39,  Poetry

    Bildungsroman 

    "Ecumenical" painting by Michael Moreth

    by Seth Hagen

    I was a cabinetmaker commissioned

    To construct the King’s sex chair.

    I was a maypole flag wet with June dew

    I was half-mouse, half-toad.

    Like a dog now paraplegic

    I wore a bright coat.

    Like a dog now paraplegic

    I wheeled on.

    A room. A braided rug. Two doors.

    One half-open, the other half-closed.

    Like a spoonbill splayed

    And two owls in a mangled oak.

  • Issue 39,  Poetry

    It’s a tender gap, a handclap

    "Golden Orb Weaver" collage by Tiffany Dugan

    by Ashleigh A. Allen

    Starting next week, we pray loud
    in the direction of memory.
    Face forest like a flag, mount the lions.
    Your insides hairy and damp as concrete.
    Sundays full of worry and worms, socks
    hour the clocks full of snow, the doorway
    is deliberate. In the garden, flattening
    the lawn. Your song comes to me eyes
    first, lands on warm lashes, saliva
    across a naked face, you look up, ask for sky
    but all you get is god,