Online Issues
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Definitely Better Now: An interview with Ava Robinson (MFA ’22) on her debut novel
Interview by LIT Books Editor Jonathan Kesh
Ava Robinson’s Definitely Better Now is a romantic comedy, or at least it is in part. How else you might classify it is trickier, which is part of its appeal.
The book begins with Emma, the narrator, uneasily but earnestly celebrating a full year of sobriety after a difficult break from alcoholism, which runs in her family and was never quite shaken by her father. Per the rules of her New York Alcoholics Anonymous chapter, she’s held off dating to focus on keeping her own head above water,
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Jakob as Worm
"Still City Full Moon" painting by Nuala McEvoy
by David Leo Rice
This story marks the beginning of The New House 2: The Chapel of Humiliation, sequel to the 2022 novel The New House, about a family of outsider artists roaming the American interior in search of The New Jerusalem, which they believe will only be revealed in dreams. At the end of that novel, an adolescent boy, Jakob, watched his father sacrifice his mother in his stead, and vanish into the woods, leaving him alone with her headless body.
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Life Without The Brady Bunch
by Francis Fernandes
Francis Fernandes grew up and studied in Montréal, Canada. Since spring 2020, his writing has been featured in numerous literary journals, including Jerry Jazz Musician, Saint Katherine Review, The Orchards Poetry Journal, Third Wednesday, The Brussels Review. He lives in Frankfurt,
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Hallucinyx
"As All Can Be" art by Edward Lee
by Dana Curtis
“The literary equivalent of a hallucinogen; or:qualities of a hallucinogen reduced to literary essence”
-Steve Erickson, American StutterI look for the opium den or
the library because I need
the sweet addled sleep of
the damned, the endlessly
levitated and furious, fearless
on the collapsed couch, words
leaking out the corners
of my mouth. It’s the only way
to look at a sunset, -
Bildungsroman
"Ecumenical" painting by Michael Moreth
by Seth Hagen
I was a cabinetmaker commissioned
To construct the King’s sex chair.
I was a maypole flag wet with June dew
I was half-mouse, half-toad.
Like a dog now paraplegic
I wore a bright coat.
Like a dog now paraplegic
I wheeled on.
A room. A braided rug. Two doors.
One half-open, the other half-closed.
Like a spoonbill splayed
And two owls in a mangled oak.
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It’s a tender gap, a handclap
"Golden Orb Weaver" collage by Tiffany Dugan
by Ashleigh A. Allen
Starting next week, we pray loud
in the direction of memory.
Face forest like a flag, mount the lions.
Your insides hairy and damp as concrete.
Sundays full of worry and worms, socks
hour the clocks full of snow, the doorway
is deliberate. In the garden, flattening
the lawn. Your song comes to me eyes
first, lands on warm lashes, saliva
across a naked face, you look up, ask for sky
but all you get is god,