Online Issues

  • Issue 38,  Prose,  Translation

    “Out of Sorts” by Muzzafer Kale Translated from the Turkish by Ralph Hubbell

    Photo by Giovanni Apruzzese

     

    When you come across someone in one place after only ever seeing him in another place, you’ll likely have trouble remembering how you know him; but that’s not how this was!

    He comes in and takes a seat four or five tables away. I doubt he notices me. He looks preoccupied. One can get a little disheveled sometimes, it’s inevitable; somehow you can’t pull yourself together, which then makes it hard to notice whatever is going on around you. Or maybe he hasn’t woken up yet. There’s a fog in his head and it hasn’t even begun to clear.

  • Issue 38,  Poetry

    The Mountains Comes Down the Mountains

    Art by Andy Mister

    By Patrick Whitfill 

    Maybe there’s some great end game
    I’m missing out on with this last
    century’s revision to the nursery rhyme

    about the baby stashed in a tree, but I
    always thought, with kids, it’s best to lie
    only a little. Point to the window,

    say outside, because there’s nothing
    about transparency they need to know
    When my son noticed his shadow

    the first time, we had a choice to make:
    confess to what we don’t know,

  • Issue 38,  Poetry

    Ode to Edith Massey (Aunt Ida in John Waters’ Female Trouble)

    Art by Bill Wolak

    By Michael Montlack

    Secretly we all want to strut like you, squeezed
    into that laced-up leather catsuit, snaggle-toothed,
    bleached hair teased into a cotton candy mess—
    how easily you made Mae West pedestrian.

    Shouldn’t we all have an Aunt Ida to guide us
    in that purr simultaneously girlish and granny:
    I worry that you’ll work in an office … The world
    of the heterosexual is a sick and boring life.

    Virgin Mary, Egg Lady,

  • Issue 38,  Poetry

    All My Polemics: An Outline

    Art by the author

    By Jenna Cardinale

    The stretched weight of a heavy
    bag questions our unbalanced commitment
    to sustainability.

    An occasional table need not
    display faded and framed photos
    or a defined narrative.

    A hangover can hang
    over a whole day and
    we should discuss fairness.

    The funeral parlor passes
    out promotional pens to encourage
    brand loyalty.

                Just place your memories inside
                this deluxe lacquered box.
                There is a choice
                of colors.

  • Issue 38,  Poetry

    Two From Daniel Felsenthal, “Out of Time/Admiration” and “The Beach is a Terminal You Leave When You Die”

    Art by Andy Mister

    by Daniel Felsenthal

    Out of Time/Admiration

    The toughest subject
    to write on is time
    Everyday I’m trying

    I just run bone dry

    Ba-dum where’s
    That hi-hat?
    A Hoover flag
    Waves bare
    In the pocket
    Cue drums

    For the meantime
    That soft word
    For nervous hours
    Put to pasture
    We learn methods
    To enjoy these
    Summer strolls as
    Cretinous wild
    Childs starry and
    Scotch-drunk.

  • Hybrid,  Issue 38

    I Blew Out the Birthday Candles

    Art by Ana Prundaru

    by Madison Ellingsworth

     

    I wear a baggy shirt and baggy jeans to Sophie’s housewarming party because that’s what I saw all the attractive Korean and Japanese tourists wearing while working at Gilbert’s Chowder House this week, and now that I’m off the clock I can wear whatever clothes I want, which really means I can look bad in different clothes from the black leggings and black v-neck top I wore working at Gilbert’s, which now stink like scallops.

    Everybody at the party is wearing trendy corset tops and Adam Sandler shorts and tennis skirts,