Poetry

  • Issue 35,  Poetry

    utopia

    by mic jones

    art by by Rachel Rava

    a pronoun can be an emergency
    exit a map an experiment
    in emancipation like fire
    embalming coordinates

    let’s make new names what would the world feel
    like if gender was understood
    the way we understand
    a name:
    singular
    subject to change
    sounding different
    depending on
    through whom
    the sound is made

    amid mountain ranges
    screamed like names
    our genders’ echo
    sublime as the valley
    amplifying bodiless-ness
    &

  • Issue 35,  Poetry

    And If We’d Kept Our Daughter, We’d Have Named Her Lille

     By Brent Schaeffer 

    art curtesy of The University of Chicago on Unsplash

    When we got off the train in Paris it was late.
    Gare Du Nord looked like a Monet: black
    and gray with strokes of gloss. We were lost.
    Athena and I slipped into backpacker backpacks and set out
    across the city. I had to piss. Like ugly Americans
    we stopped at McDonald’s, my ankles killing me,
    … We were broke. We took another train north,
    hoping it’d be cheaper than Paris. It was.
    We got a room for a week—fucked and ate kebabs
    from a taco truck thing—just like L.A.—
    but colder and somehow romantic.

  • Issue 35,  Poetry

    Someone Mentions Wild Geese Were Kept in Greek Households to Warn the Family of Fire or Intruders When Father Was Off at War

    By Christopher Smith

    photo by Ekaterina Astakhova on Pexels 

    Wade far enough into the valley, the sun marks banker’s hours.
    I sit some shade of darkness two-thirds of every day.

    The figure I relate to in the Phaethon myth: that downy little greenhorn
    presses Phaethon to prove he’s the chariot’s child.

    Who can buy even their own fables about their father?
    Portraits of him waving down a sunbeam. Personal olios

    of corporate fishing retreats, wood block watchtowers, the empty chair
    at back of the theatre.

  • Issue 35,  Poetry

    Aftermath, The Griffith Park Fire

    By Anders Howerton

    photo by Colin Remas Brown on flickr

    “Vulnerability. The ideal state of a painter. You have to cultivate it.”
    – Francesco Clemente

    The light has shifted since. It isn’t rushing through the glass
    the way it did the day you swirled the cayenne like tiny flames
    in the lemon-filled honey jar. It circumvents me now
    with its set of parallelograms,

    kicks pebbles down my avalanche back.
    You are no longer you but a ferryman instead, taking your time
    to deliver me at the edge of the blazed bird sanctuary,

  • Issue 35,  Poetry

    the cinematography of birth

    By Savannah Slone

    photo by Ivan Babydov on Pexels

     


    we were all born during the slow 

    
fast shift of all things, oil on 


    canvas     no time stamp,


    among stained glass and wildlife and 


    a sea of velvet earlobes and disco glitter


    pageantry     while language swelled 

    
into watercolor during telomere 


    replication and 


    extreme weather turned our


    nothings into artifacts of survival or 


    remembrance and colors disappeared 


    underwater,

  • Issue 35,  Poetry

    Abecedarian

    By Christina M Scott

    photo by Engin Akyur on Pexels

    At night, she feels for the invisible restraints clutching her throat.
    Bound by circumstance, she’s unable to freely breathe.
    Coveting the blade in her hands,
    Death is her fateful companion.
    Everyone dies alone.
    Forgotten memories of better moments dance at the edge of her mind.
    Guilt has set up home here in her thoughts,
    Has taken up so so  much space, with no intent to leave.
    Inescapable shock paralyzes and pervades her fleshy shell to
    Just below her rib-cage,