Poetry

  • Issue 34,  Poetry

    Self-Addressing: A Bilinguacultural Poem by Yuan Changming

    In English, the speaker always uses

    A proper pronoun to address self

    In Chinese, the speaker calls self

    More than one hundred different names

     

    In E, there is a distinction between

    The subject and object case of self

    In C, there is no change in writing

    Be it a subject or an object

     

    In E, the writer spells self with one

    Single straight capitalized letter

    In C,

  • Hybrid,  Issue 34,  Poetry

    As Jay DeFeo Paints by Lenore Myers

           “Land of Plenty” by Vera Illiatova

    Deathrose – The White Rose – The Rose  (1958-1966)

    1

    Did your daily attention to paint

    its weight

    its hue in changing light

    its sculptural bulges

    its chasms

    make your painting more

    like words?

    2

    I start in the figure

    as you never did

    although the surface was of immediate concern

    you started in the thing

    itself

    Paintbrush between your teeth

    3

    What defines the figure

    Who says what ground

    The art of FUNK

                The surface all fucked up

      or

                The process of fucking    up

                                     into revelation

    4

    You break it the

    surface

    never lies

    right with you

    5

    By weight,

  • Issue 34,  Poetry

    Roots by Benjamin Balthaser

    You pull the turnip from the black,

    almost frozen ground and show me

    the roots, still unshrouding from

    their wet tangle of soil. They startle,

     

    these dense webs, they aren’t

    tentacles or long spindly arms — the roots

    feather forth, ghostly, like the white fans

    of fish at the bottom of oceans. Ever since

     

    your new job out on the oil fields,

  • Issue 34,  Poetry

    Originally, All Brown Eyes by Emma DePanise

    Did my mother dream in phone

    conversations? Land lines, fingers twirling

    spiral cord connected to receiver.

    Did my grandmother dream in hand

    scrawled letters? Her cursive exuding formal

    grace they don’t teach anymore.

    Last night, I dreamt in videos, holding

    a phone, swiping through something

    like home movies. My younger sister

    and I in Iceland (never been), our heads

    on the floor of a cottage,

  • Issue 34,  Poetry

    I Supplicate to the Gauze Panther by Ryan Bollenbach

    Jealous of the marsh

    And what it could contain

    I asked to join the Gauze Panther in Their house

    I wanted to talk

    I wanted help

    To conduct a rite

    To stop the green multiplying inside me

    I did not love the marsh then

    Felt something more elemental

    As I secret-lapped the blood

    Dripping from the eyes of the bronze statue

    Risen from the marsh’s chest

    The metal-tongue sting awakened me from dreams

    With a strange liquid on my fingertips

    The similarity of my pink tongue to the panther’s

    To a brain peaking from skull split

    Kept me writing in the night

    The wind snaked into my tent

    Letting in the alcoholic dark

    I obscured exploring what abuts it

    I needed a subject to anchor my verbs

    To what could be seen

    The Gauze Panther took me in deeper that night

    Built extensions on the wall around us

    Put duct tape over every open window

    So we could spend all day watching

    Documentaries about the Anthropocene

    Inside I became a Trojan horse

    A catalyst for my green disease

    Primed to be taken tongue first

    By the next smoke-haunted explorer

    Hungry for a new life

    The panther and I sat together in our hut and fatted up

    One-hundred and sixty-seven finches joined us

    For the centuries of our gab session

    Their little bird lungs bubbled up like stars

    And in the passing time

    The big bang exploded around us

    We drank beers and watched through the window

    The bird bones dried in the sun

    With them we made a xylophone

    So we could speak with our feathered friends forever

    I was scared we would run out of yellow yarn to coat our mallets

    I was scared we would run out of sheet music to play at their wake

    I was scared the austerity program would take me over from inside

    But the panther’s pink tongue kept me present

    The sound of tongue lapping water from turbid pond

    Bounced off the hut’s wooden walls

    Changing in pitch with every shift around a corner

    I couldn’t place that sound inside of anything else

    I couldn’t remember why I left my family

    I dropped a clean plate with silver rims at dinner

    And the summer split the domestic bliss

    Into forty-million shards of enamel

    The silence that came over us

    Lasted the next forty-million years


    Ryan Bollenbach is a writer and musician living in Houston,