Poetry
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Two Poems by Phoebe Reeves
Part One, Question the Sixteenth: Works of Truth**
There are fourteen species of silent star,and the species vary according to generative power.
A woman cannot perform divination, knowingthat blood and the dead answer. But think—
the soul appeared through a woman who wasa witch, just as the images of things
are called by the names they represent. -
“ode to summer” by Cheyanne Anderson
every time I go onto my balconybare feet on dusty cementand look down the streettowards the subwaytowards the markettowards the road straight to the beachthe air gets a little warmerand I can feel the spring preparing,about to pass me by
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and I hope I’ll make it out in time to buy a new sundressand a pair of sandalsbecause summer somehow always catches me by surpriseand by the time I’ve thought to embrace the way humidity sits on skinthere’s a bite in the air and it’s gone again
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I keep dreaming of ways to catch it
like a firefly in a jar
(only temporary)
so I can see it up close
so I can remember to notice the sweat on the back of my neck
and the proof it serves
that I was alive that day
so I can skip down sidewalks
so I can lie in the park
so I can chill another bottle of wine
so I can kiss and kiss and kiss
so I can forget to put on sunscreen
so I can walk until my feet ache
so I can embrace the way my hair frizzes from my scalp like a crown
so I can fall in love in ways I’m not sure I deserve
so I can remember to admire the way the fire hydrant down the street
(somehow always breaking open)
washes away cigarette butts and receipts and regrets
and makes a babbling brook on Bushwick streets
just until the repairman comes on Monday
just until I can bring myself to open the jar and let it go
and whisper well wishes into the first breeze of autumnmy heart is too big for this bedroom,
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Four “Corn Songs” by Kinga Tóth (translated from the Hungarian by Timea Balogh) Drawings by Kinga Tóth
Corn Songs
song five
they pierce the ground with spoon straws
that’s how the roots will breathe
that’s how they’ll pull them out when they’re ripe
the others arrive behind the diggers
they write with felt pens
take away the dialect and unsettle everyone
they piss with their legs apart
and that’s when they forget what
they talked about at harvest time
they take the tongues out of their mouths
with which they were understood
and take pictures till they are distracted from the conversation
only the spoon-holding hands remain
squatting they examine the air-bagged roots
this will serve as amnesty and the writers
will be the only ones permitted to speak -
To California, Wine, Politics, Turtles, Nihilism, and My Heart, by Adam Scheffler
After Kenneth Koch
What a jumble,
I don’t know if it’s a good idea to have all of you here
Especially you wine and politics!
Though you my heart and turtles go together always
And even politics and turtles sounds good.But in any case here you all are:
I wake up and my heart is holding you all like a shopping cart
Full of hasty impulse purchasesWith California sticking out the back cartoonishly
Amidst the wine it’s known for
And politics snuggling next to but never quite touching nihilism, -
University Town by Michael Homolka
Up steep hills which crack open like pebblesthe green-black ocean wandersin the form of a human among low squat
brick facades old typewriter paperand armchairs subconsciously withinlost as all academia to self-absorption
hands in back pockets inquiringof the psychological grass whether it perceivesitself to flow uphill mostly or downJoycean that is to say or Virginian
Sorting stackfuls of family photos
most of which it plans to toss out anyway
between existences the brainy seaweedsoaks up all possible inferences
as to the ocean Whether literal or metaphoric
whatever anyone believes in whatever
way they believe it : it’s the opposite*
Michael Homolka’s collection, -
“Social Distances” by L.B. Browne
There is a manwearing dark glassesand a blue paper surgical maskin the fluorescent sun of the grocery store.Hey buddy, 6 feet!a young woman shoutsas he backs up, nearly touches her,outrageous,she does not seethe white cane he slides in small arcs at his feet,tip tapping the waydown ravaged empty aisles.
There is a womanwith a 3-day-old coughand a nasal drip that runs down the back of her throat,