Poetry

  • Issue 39,  Poetry

    It’s a tender gap, a handclap

    "Golden Orb Weaver" collage by Tiffany Dugan

    by Ashleigh A. Allen

    Starting next week, we pray loud
    in the direction of memory.
    Face forest like a flag, mount the lions.
    Your insides hairy and damp as concrete.
    Sundays full of worry and worms, socks
    hour the clocks full of snow, the doorway
    is deliberate. In the garden, flattening
    the lawn. Your song comes to me eyes
    first, lands on warm lashes, saliva
    across a naked face, you look up, ask for sky
    but all you get is god,

  • Issue 39,  Poetry

    Waiting for Leonora Carrington at Cafe Alma Negra *

    "Storm Brewing Over the City" painting by Nuala McEvoy

    by Laurel Benjamin

    wouldn’t order for you because I don’t know your coffee tastes,
    but this place has a steel reputation. I heard rumors
    about your cloistered ways, how you’ve grabbed a sack and thrown it
    dripping on the threshold, creature with fangs and octopus eyes
    birthed. Frankly, all I could imagine,
    dark roast, though the art photos
    plastered on the walls don’t jive with your paintings,
    especially the mohawk woman. I expected
    your small flames to fan at the table
    on time,

  • Issue 38,  Poetry

    The Mountains Comes Down the Mountains

    Art by Andy Mister

    By Patrick Whitfill 

    Maybe there’s some great end game
    I’m missing out on with this last
    century’s revision to the nursery rhyme

    about the baby stashed in a tree, but I
    always thought, with kids, it’s best to lie
    only a little. Point to the window,

    say outside, because there’s nothing
    about transparency they need to know
    When my son noticed his shadow

    the first time, we had a choice to make:
    confess to what we don’t know,

  • Issue 38,  Poetry

    Ode to Edith Massey (Aunt Ida in John Waters’ Female Trouble)

    Art by Bill Wolak

    By Michael Montlack

    Secretly we all want to strut like you, squeezed
    into that laced-up leather catsuit, snaggle-toothed,
    bleached hair teased into a cotton candy mess—
    how easily you made Mae West pedestrian.

    Shouldn’t we all have an Aunt Ida to guide us
    in that purr simultaneously girlish and granny:
    I worry that you’ll work in an office … The world
    of the heterosexual is a sick and boring life.

    Virgin Mary, Egg Lady,

  • Issue 38,  Poetry

    All My Polemics: An Outline

    Art by the author

    By Jenna Cardinale

    The stretched weight of a heavy
    bag questions our unbalanced commitment
    to sustainability.

    An occasional table need not
    display faded and framed photos
    or a defined narrative.

    A hangover can hang
    over a whole day and
    we should discuss fairness.

    The funeral parlor passes
    out promotional pens to encourage
    brand loyalty.

                Just place your memories inside
                this deluxe lacquered box.
                There is a choice
                of colors.

  • Issue 38,  Poetry

    Two From Daniel Felsenthal, “Out of Time/Admiration” and “The Beach is a Terminal You Leave When You Die”

    Art by Andy Mister

    by Daniel Felsenthal

    Out of Time/Admiration

    The toughest subject
    to write on is time
    Everyday I’m trying

    I just run bone dry

    Ba-dum where’s
    That hi-hat?
    A Hoover flag
    Waves bare
    In the pocket
    Cue drums

    For the meantime
    That soft word
    For nervous hours
    Put to pasture
    We learn methods
    To enjoy these
    Summer strolls as
    Cretinous wild
    Childs starry and
    Scotch-drunk.