Poetry

  • Issue 35,  Poetry

    The Docket

    by Shira Dentz

    photo by Benni Fish on Pexels

    This landing strip has seen many falls—
    shoehorn soft gliding into a shoe
    or curdling against the pressure
    presence of time drifting
    then landing a perfect minimalist
    geometry otherwise known as
    settled like home.

    This landing strip has seen many falls—
    shoehorn left shapely into a shoe or
    curdling against the pressure all
    charisma of time drifting then
    landing a turning minimalist geo-
    me-try otherwise known as
    settled some mummy of home.

  • Issue 35,  Poetry

    Aubade For The Sous Chef At Cochon

    By Nikki Ummel

    photo by Wicdhemein One on Pexels

    You are Orion and I am pulled close,
    to lick the salt from your ears.
    WWOZ whispers morning news
    as my fingertips chase freckles,
    play connect-the-dots, search
    your kitchen-scars for constellations
    as the sun rises.

    I like the feel of you.
    Here, in the damp darkness
    of your shithole apartment,
    the handprints of others
    on the wall, above your bed.

    I’m not the first hostess
    you’ve hunted—there is
    a bottle of Wet Head,

  • Issue 35,  Poetry

    The Big Empty

    By Philip Jason

    photo by Adam Gonzales

    Schrodinger said the cat exists in the space
    between two states, but there is a third state
    where you open the box and find only yourself
    -Plato

    The butterfly in October was not supposed to be there.
    In October, the butterflies
    live in our dreams. Nonetheless, I saw it
    where it was, and decided I’d lost the taste
    for whining about the human condition.

  • Issue 35,  Poetry

    utopia

    by mic jones

    art by by Rachel Rava

    a pronoun can be an emergency
    exit a map an experiment
    in emancipation like fire
    embalming coordinates

    let’s make new names what would the world feel
    like if gender was understood
    the way we understand
    a name:
    singular
    subject to change
    sounding different
    depending on
    through whom
    the sound is made

    amid mountain ranges
    screamed like names
    our genders’ echo
    sublime as the valley
    amplifying bodiless-ness
    &

  • Issue 35,  Poetry

    And If We’d Kept Our Daughter, We’d Have Named Her Lille

     By Brent Schaeffer 

    art curtesy of The University of Chicago on Unsplash

    When we got off the train in Paris it was late.
    Gare Du Nord looked like a Monet: black
    and gray with strokes of gloss. We were lost.
    Athena and I slipped into backpacker backpacks and set out
    across the city. I had to piss. Like ugly Americans
    we stopped at McDonald’s, my ankles killing me,
    … We were broke. We took another train north,
    hoping it’d be cheaper than Paris. It was.
    We got a room for a week—fucked and ate kebabs
    from a taco truck thing—just like L.A.—
    but colder and somehow romantic.

  • Issue 35,  Poetry

    Someone Mentions Wild Geese Were Kept in Greek Households to Warn the Family of Fire or Intruders When Father Was Off at War

    By Christopher Smith

    photo by Ekaterina Astakhova on Pexels 

    Wade far enough into the valley, the sun marks banker’s hours.
    I sit some shade of darkness two-thirds of every day.

    The figure I relate to in the Phaethon myth: that downy little greenhorn
    presses Phaethon to prove he’s the chariot’s child.

    Who can buy even their own fables about their father?
    Portraits of him waving down a sunbeam. Personal olios

    of corporate fishing retreats, wood block watchtowers, the empty chair
    at back of the theatre.