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Two Poems by Patrick Mullen-Coyoy
Ariana Grande Guts a Fierce Deity
Ariana enters into the final day of her novena
masticates jagged prayers between her teeth
until her fledgling tongue quiets
into soft murmurations
she reaches the threshold genuflects
enters into this cathedral of vices
where so many before have sought asylum
she offers her pésame to the spirits
filling the aisles
these ghosts of trauma past echoing forth
to bear witness to their fierce deity
her staccato stilettos fill the silence
their reverb ricocheting off tile and stone
like so many bullets in her onlookers’
emptied eye sockets
reaching the altar she raises hands up
to the moon above this city of her dead
commands the crowd
light me up
bind me up
touch it touch it touch it
she lays her body down
and their hands do
adorn her
gouging and gashing
this self-declared goddess
of American excess painting caravans
of bloodletting across the pale canvas
of her larynx
and their hands do
adore her
cracking open her chest
releasing bloody melisma
of lung and heart and rib
a testament to the violence endured
in the journey from field to mountain
valley to river
these are the sins endured by her kingdom
made manifest
tracks of skin flayed penitential
touch it
crown of barbed wire and laceration
touch it
the sacrifice of a body rendered
into an exquisite corpse
the promise of salvation if only they will
perform this litany and
touch it
touch it
touch it
the spirits bear her up
like a contorted melody
throats aching with the memory of
righteous fury
finally loose in death finally visible
in the threnody of their cries
here at last lies their remittance a debt repaid
in the form of a diva offered up
of her own volition
bathing this darkest isthmian night of the soul
in the refracted sounds of this
frenetic purgatory
moonlight pooling dismantled
in the shattered wreckage of her hands
Ariana
fills the threads of her lungs
bites her lip
and breaks open the skyher wail rends the moon from its observatory
begs it to descend upon the prison of these
walls
and in turn the moon rebukes her mantle
echoes the call
vows to stand by no longer
and plummets to the earth
with celestial lethalitythe spirits bask for mere moments in this
ruined moonlight
ultraviolet reflections filling in the details lost
to borders and disappearances and archives
before exiting the memories
of where the cathedral once stooddust settling on their skin
their tongues begin to form words
not spoken in weeks decades centuries
as they welcome themselves back
they set out to build their own sanctuary -
Five Poems and Photography by Leslie King
We. The(m) People.
They killin us. Dead.
My Mama is dead.
Killed her, too.
Them CIA drugs.
Them “projects.”
Them homeless shelters.
I am an experiment.
Black life in America is a science project.
Like welfare.
No acres. No mule.
No real liberty.
But plenty-o-methadone
laced with signatures
on bills that act.
Soothe them with
pseudo freedom.
Kill ‘em with
Black claustrophobia.
Black desperation.
Black plagues.
Black plaques
for Corrupt Cop of Year!
Slaughter the best of ’em. -
In Remembrance of Summer by Gina Chung
Above: Standing Girl, Back View by Egon Schiele
Of all the things that I’d like to be doing now, instead of waiting for things to get better, waiting until there are no longer sirens haunting my neighborhood every hour with their banshee wails, waiting until it feels safe to no longer feel so afraid—I’d like to be wearing a light cotton dress on a hot summer day here in Brooklyn, on a rooftop that’s really just a glorified patch of silver-painted asphalt but feels like something holy in the orange glow of a July sun.
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Black Is Over (Or, Special Black) by Tressie McMillan Cottom with Artwork by Merav Kamel
Above: from the Sketchbook of Merav Kamel
I’m looking for a mixed girl Asian, Jamaican
I’m looking for a mixed girl Puerto Rican, Haitian
I’m looking for a mixed girl
Cuban and White
I’m trying to get mixed up tonight like
Excuse me miss, what’s your name, where ya
from, can I come—T-Pain, “Mix’d Girl”
“Black people are over.” That is how it was said to me once.
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Protest for Change
Above: “Chessmen” by Max Nicholas Niemeier
Dear LIT Readers,
As all of you are aware, protests have been taking place here in New York City and across the globe. The pain our nation is experiencing now is one we have experienced many times before. It has become clear, once again, that the time to act is now.
We are all part of a community that actively celebrates diversity and the pursuit of justice, which is why LIT Magazine has decided to postpone our pitching salon in solidarity with the protesters and activists who are marching on Washington and in cities nationwide.
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I Can Usually Beat the Bus Home by Keri Smith
biking from work Sunday night
since they have repaved Myrtle Avenue
while my friend has been dead for two weeks
I pass by the park full of couples
and retired men sitting alone
and I call out to children crossing the street
please be careful, I want to say
please make it home safely, aren’t they beautiful
and my friend has been dead for two weeks
yet everyone has done their job
the busses continue their cross-Brooklyn routes
and I worked through another weekend
I missed the blood moon and the eclipse
and I missed the thunderstorms and the day at the beach
the summer has continued
without my friend,