Playing Baseball with a Pocket Knife
By Christopher Citro
photo by Allen on Pexels
Raised by retired parents I have that, why bother I'll sit picnic tabled and watch the clouds go by. The battle, that position worked out, I see through it all. I tear packets, toss the seeds across the open ground. The sky can do the rest. This boy burying plastic Chewbaccas between beechnut roots, my boy. Sit beside me, not too close. Here's how you open the knife, straighten the short blade, pull the other to an angle, balance it between your legs and with a forefinger's soft tip, flick the end so it spins into the summer air before sticking back in the picnic table seat and hopefully not in your knee. Tip only: home run. Tip and large blade: a triple. Large blade only: a double. Large blade and bottom touching: a single. If it lands flat on its back with the blades in the air like legs: it's a walk. Anything else—falling on its side, entering your knee, dropping to the dirt—you're out. We nail fat to a tree and the woodpeckers land. Sound of dishes—the good CorningWare— clinking from the kitchen window. Psst from another can of Busch, like a secret about to be whispered. Struggle doesn't matter. What matters is an open button-down shirt, an August evening, a drive up to the corner for ice cream after dinner. My father's two grooves either side of his nose where his bifocals rested. He'd take them off to laugh. Mom picked them up, How can you see through these? They're filthy. My dad reached and put them on again.
Christopher Citro is the author of If We Had a Lemon We'd Throw It and Call That the Sun (Elixir Press, 2021), winner of the 2019 Antivenom Poetry Award, and The Maintenance of the Shimmy-Shammy (Steel Toe Books, 2015). His honors include a Pushcart Prize for poetry, a fellowship from the Ragdale Foundation, Columbia Journal's poetry award, and a creative nonfiction award from The Florida Review. His poetry appears in 32 Poems, Alaska Quarterly Review, American Poetry Review, Best New Poets, Conduit, Crazyhorse, Denver Quarterly, Gulf Coast, Iowa Review, Narrative, Pleiades, Ploughshares, Poetry Daily, West Branch, and elsewhere. Christopher lives and teaches in Syracuse, New York.