-
Two Poems by Eddie Kim
Minimax
On a beach in Okinawa a super typhoon is coming.
I apply two layers of SPF 50 sport waterproof.
The coast is ours and the waves mischievous.
I feign little mind to the literal red flag
tattering above an empty life guard tower.
Fear of death is what reminds you, after all,
about living. My parents paced the decades
through rain with umbrellas over my brother and me.
Is there a difference between the things we live for
and the things we die for?I watch my nephew build sandcastles
close ashore, -
Two Poems by David Kirby
Our Fathers Give Birth to Themselves
I am eight and riding the bus with my dad, and he tells a manacross the aisle to stop doing whatever it is that he’s doing,
and the other man starts to swing at my father, who says somethingin the man’s ear that makes him lower his hand and get off
at the next stop. “What did you say to him?” I ask,but my father just shakes his head,
-
Two Poems by Lindsay Young
Seven, Going on Nothing
It was my sister’s birthday eve,the anticipation as big an event as the real thing,even for me, who always got a sympathy giftto curb the Little Sister envy.I got to see the surprise cake my mom had chosen,fresh out of a glossy flip book at the store.A supermodel cake, impossibly symmetricaland airbrushed heavily with icing.I couldn’t help myself,I had to sneak down to the fridge that nightjust to get a second look. -
Negation # 19 by Alistair McCartney
Medium: aesthetic distancing, epidemiology
John Keats did not die from the Coronavirus.
Grammatically speaking, one does not
Die from the virus:
As a direct cause of death,
One dies of it.
One dies from an indirect agent, for example,
He died from falling down the Spanish Steps.
John Keats never entered the Prada store
Near the Spanish Steps.
Though epidemiologically speaking, in terms
Of viruses and the blurriness
Of direct/indirect causes,
-
Two Poems by Patrick Mullen-Coyoy
Ariana Grande Guts a Fierce Deity
Ariana enters into the final day of her novena
masticates jagged prayers between her teeth
until her fledgling tongue quiets
into soft murmurations
she reaches the threshold genuflects
enters into this cathedral of vices
where so many before have sought asylum
she offers her pésame to the spirits
filling the aisles
these ghosts of trauma past echoing forth
to bear witness to their fierce deity
her staccato stilettos fill the silence
their reverb ricocheting off tile and stone
like so many bullets in her onlookers’
emptied eye sockets
reaching the altar she raises hands up
to the moon above this city of her dead
commands the crowd
light me up
bind me up
touch it touch it touch it
she lays her body down
and their hands do
adorn her
gouging and gashing
this self-declared goddess
of American excess painting caravans
of bloodletting across the pale canvas
of her larynx
and their hands do
adore her
cracking open her chest
releasing bloody melisma
of lung and heart and rib
a testament to the violence endured
in the journey from field to mountain
valley to river
these are the sins endured by her kingdom
made manifest
tracks of skin flayed penitential
touch it
crown of barbed wire and laceration
touch it
the sacrifice of a body rendered
into an exquisite corpse
the promise of salvation if only they will
perform this litany and
touch it
touch it
touch it
the spirits bear her up
like a contorted melody
throats aching with the memory of
righteous fury
finally loose in death finally visible
in the threnody of their cries
here at last lies their remittance a debt repaid
in the form of a diva offered up
of her own volition
bathing this darkest isthmian night of the soul
in the refracted sounds of this
frenetic purgatory
moonlight pooling dismantled
in the shattered wreckage of her hands
Ariana
fills the threads of her lungs
bites her lip
and breaks open the skyher wail rends the moon from its observatory
begs it to descend upon the prison of these
walls
and in turn the moon rebukes her mantle
echoes the call
vows to stand by no longer
and plummets to the earth
with celestial lethalitythe spirits bask for mere moments in this
ruined moonlight
ultraviolet reflections filling in the details lost
to borders and disappearances and archives
before exiting the memories
of where the cathedral once stooddust settling on their skin
their tongues begin to form words
not spoken in weeks decades centuries
as they welcome themselves back
they set out to build their own sanctuary -
I Can Usually Beat the Bus Home by Keri Smith
biking from work Sunday night
since they have repaved Myrtle Avenue
while my friend has been dead for two weeks
I pass by the park full of couples
and retired men sitting alone
and I call out to children crossing the street
please be careful, I want to say
please make it home safely, aren’t they beautiful
and my friend has been dead for two weeks
yet everyone has done their job
the busses continue their cross-Brooklyn routes
and I worked through another weekend
I missed the blood moon and the eclipse
and I missed the thunderstorms and the day at the beach
the summer has continued
without my friend,