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Milen Neykov
Neykov’s photography captures vast scenes where the archetypes are at large.
Margarita Serafimova
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Four Poems by Andrea Jurjević Artwork by Kirstin Mitchell
She Floated Away
After Hüsker DüA mob of slam dancers hurls and shoves in the mosh pit of the park fountain—all this furor, thrust-riot, all this outage, the ridding
of the white corset. Under the cankered poplar a man rests his stiff leg across his lover’s knees, leans into her narrow shoulder and scratches a rough scratch in the V of her thighs—
the axis of her body, black as the tail of a swallow, forked as a dowsing rod.
Yet her gaze is fixed on the fountain,
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Five Poems from “In the morning we are glass” by Andra Schwarz (translated from the German by Caroline Wilcox Reul) Artwork by Hannu Töyrylä
In the morning we are glass
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Am morgen sind wir aus glas
My hands reach into emptiness what is left under earth
I walk to the black mill at its edge the spring
nothing moves I still hear the grinding of wheels
the spray of water and how they revolve decades
in the millworks the building the dismantling the change
finally the child from then no one knows what might have been
every year another ring grows wolves prowl in the
forest now that I’m gone everything is large & -
“The Lake” (parts 1 to 3 of Dead Letter Office) and “After Objects” by Marko Pogačar (translated from the Croatian by Andrea Jurjević) Photography by Dora Held
Dead Letter Office is forthcoming in March 2020 by The Word Works.
The Lake
Again that tragic
Mixing up of things and folks.
— Novica Tadić1.
I am the lake, I set out
in the morning from the slow cocoon of the sun—
sink into myself as if into a silent room or despair.
plants nest in my chest
like wading birds nest in shrubs,
the eternal choir of grass blades.
