the cinematography of birth
By Savannah Slone
photo by Ivan Babydov on Pexels
we were all born during the slow
fast shift of all things, oil on
canvas no time stamp,
among stained glass and wildlife and
a sea of velvet earlobes and disco glitter
pageantry while language swelled
into watercolor during telomere
replication and
extreme weather turned our
nothings into artifacts of survival or
remembrance and colors disappeared
underwater, one by one, in the same
order they appear in the color
spectrum
we play make believe within our
tiny exhibits
as if we aren’t characters in a dollhouse or
stuck inside an unmemorable speck
tending to gardens we didn’t plant
pulling at our eyelashes under a fog glow
and when we wonder if this world is worth staying alive for
let us remember the starling murmurations against violet skies
and seeing our breath turn to smoke and
feeling ourselves float in ceramic,
our bellies singing out their
scalpel lures
your latch, exquisite
despite our moonlighting
we are gods birthing gods.
Savannah Slone is a queer writer from the Pacific Northwest. Her work has appeared in or will soon appear in Ninth Letter, Paper Darts, The Brooklyn Review, Hobart Pulp, and elsewhere. She is the author of AN EXHALATION OF DEAD THINGS, HEARING THE UNDERWATER, and THIS BODY IS MY OWN. You can find her on twitter @sslonewriter